LOOPSIDER IV
17 Marz LoopSider IV
19:30h. open doors
A night full of noise surprises. Suitness and decadence will take your brain and shacke it.
Proyects out of conventions.
ILOG (SCHICK/STEIDLE)
JEALOUSY PARTY
TRUANT MONKS
DORON SADJA
CROCANTI
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DORON SADJA
JEALOUSY PARTY
CROCANTI
TRUANT MONKS
ILOG
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ILOG (SCHICK/STEIDLE)
Ignaz Schick (turntables, electronics)
Oliver Steidle (drums, percussion)
is a new Berlin based concrete jazz-core/noise duo which started performing live
in late Autumn 2013. Both artists are a highly prolific and involved in numerous projects
in the capital. Their musical output is varied & ranges from jazz, noise, free improv,
new music or musique concrete. ILOG focusses on very crisp energetic
cut up pieces combining old school free jazz energy with a solid punk attitude & current
streams of electro-acoustic & concrete noises. The music is strictly improvised, fast moving
and refreshing. Their first couple of shows in Berlin very received with great enthusiasm by the
Berlin experimental music community. At the moment both are preparing for & working on their first
album release.
https://soundcloud.com/ignazschick/ilog-schick-steidle
https://soundcloud.com/ignazschick/ilog-schick-steidle
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JEALOUSY PARTY
JP is a Berlin based abstract r&b band blending noise and improvisation with free funk, avant rock, error music, earthquake dub-hop and idiosyncratic electronic collages in a personal way they call punca.
Founded in Florence, Italy, in 1995 they built a personal and recognizable style even keeping their personnel constantly open to variations and flexible for specific explorations.
They will tour as a duo with founder members WJM and Mat Pogo on players, electronics and vocals playing metamorphic samples from the burning library of sessions that the duo recorded with an open collective of musicians involved in the Jealousy Party since years. Those recordings are endlessly reshuffled, dubbed and remixed live.
http://www.burpenterprise.com/
http://www.burpenterprise.com/burp/units/jealousy-party/
http://jealousyparty.bandcamp.com/
https://www.facebook.com/pages/JEALOUSY-PARTY/103984493033225
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DORON SADJA
Doron Sadja is an American artist, composer, and curator whose work explores modes of perception and the experience of sound, light, and space. Working primarily with multichannel spatialized sound – combining pristine electronics with lush romantic synthesizers, extreme frequencies, dense noise, and computer-enhanced acoustic instruments, Sadja creates post-human, hyper-emotive sonic architecture. Although each of Sadja’s works are striking in their singular and focused approach, his output is diverse: spanning everything from immersive multichannel sound pieces to sexually provacative performance / installation works, and stroboscopic smoke, mirror, laser, and projection shows. Doron has published music on 12k, ATAK, and Shinkoyo records, and has performed/exhibited at PS1 MoMa, Miami MOCA, D’amelio Terras Gallery, Cleveland Museum of Art, Issue Project Room, and Roulette amongst others. Sadja co-founded Shinkoyo Records and the West Nile performing arts venue in Brooklyn (RIP), and has curated various new music/sound festivals around NYC, including the multichannel SOUNDCORRIDORS Festival, Easy Not Easy, John Cage Musicircus, and more.
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TRUANMONKS
TRUANT MONKS ( Jens Nordmann / Ian Warner )
Electronics, prepared drums, found objects and self build instruments
Live composting of field recordings.
http://truantmonks.tumblr.com/
https://soundcloud.com/truant-monks
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CROCANTI
CROCANTI (Noise für alle, Berlin/Valencia)
Crocanti ist ein Einzelprojekt von Martí Guillem Ciscar (Mitglied u.a. von ESOC, LOM, MARTIYYO, AttA). Seine Arbeit basiert auf der Suche nach Tönen mittels elektronischer Elemente, Spielzeuge oder veralterte Objekte, die er selbst modifiziert, konstruiert und bearbeitet. Eine Technik mit dem Namen circuit bending charakterisiert seine Form des Musikmachens, das sich auf Lärmgeräusche, den Zufall und das Experimentieren stützt.
Martí folgt dem Weg von DIY, um eigene Geräusche herzustellen, vom ersten Element bis hin zum letzten sonoren Platzregen. Den Ton begleitet er mit Videoprojektionen und schaft so eine multidisziplinäre und beunruhigende Atmosphäre.
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PIN PAN PUN 