LoopSider XVIII
LoopSider XVIII
LOOPSIDER XVIII
19:30h.
at LoopHole
Boddinstrasse 60 Berlin
ULTRASPIEßER
OKUDA+GUILLEM+BOTANIC
JUSTIN LÉPANY + C.TALLONE
BEEATSZ v2.07
EL EKI
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ULTRASPIEßER
Julian Percy, guitar treatments
Julian Bonequi, amplified drums and voice
Yvan Volochine / Fr (electronics)
«NK a well known place for avant-garde and experimental music in Berlin was the location where Julian Percy aka Ratbag (electric guitar treatment), Anton Maiof (voice, wii & max/MSP) and Julian Bonequi (manipulated drums & voice) came together in November 2010 to play Ultra Speicer, a stunning performance which promises a deep and intense sonic trip. Leading off with hypnotic drumming, distorted guitar lines embedded in ambient sounds the album moves to ecstatic drumming combined with female and male vocals, accompanied by well placed sound collages which achieve to carry off the listener to another state of consciousness.»
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OKUDA+GUILLEM+BOTANIC
First time impro trio
Rieko Okuda : Viola and electronics // http://riekookuda.tumblr.com/
Sayaka Botanic : Violin and electronics // http://groupaband.com/ http://sayaka-botanic.tumblr.com/
Martí Guillem : Electronics diy.light interfaces // http://marti-net.blogspot.de/
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BEEATSZ v2.07
Utku Tavil on drumms and electronics blasting your brain with abstract ultrafastt rithms and noises.
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JUSTIN LÉPANY + C.TALLONE
Justin Lépany is a French guitarist and composer based in Berlin. His music was performed in Berlin, Paris, London, Zurich, Vienna, Milano as well as Rio de Janeiro, Mexico City, and Minsk. His composition for bells Ringing Peace was premiered during the opening of the 2014 Peace Nobel Prize ceremony in Oslo. 2015 saw the release of Agnes (in Redemption), a solo album uniting his music with his photographic work.
C.TALLONE
hurdy gurdy electroacoustic, violin, electric bass, amplified objects, melodeon, voice
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EL EKI
Roberto Equisoain is poet, videoartist and photograph. Since 1998 he lives and works in Berlin, where he regularly exhibits his pieces.
In his work he investigates the relationship between text and image within the frame of audiovisual recycling. His texts consist of reflections, puns, fragments of conversations or reprocessing of other texts. The images develop on the basis of reused film material which is intervened, manipulated or recontextualized. Both languages come into contact generating and creating in this way new meanings.
He also experiments with different forms of intimate documentary film, the exploration of urban space, with chance as a constructive element and with the poetic intervention in spaces.
PIN PAN PUN 